Blog de literatura e eventos transbrasileiros de Deborah Kietzmann Goldemberg
terça-feira, 14 de outubro de 2008
L'Esprit
Há poesia que jamais (re)pousa em papel. Vive livre viaduto a vida. Flama de fogueira que estrala no ar (ou no mar) nas noites estreladas de São João (ou não).
Um comentário:
Anônimo
disse...
Kenneth Koch de... "The Art of Poetry"
“Just how good a poem should be Before one releases it, either into one’s own work or then into the purview of others, May be decided by applying the following rules: ask 1) Is it astonishing? Am I pleased each time I read it? Does it say something I was unaware of Before I sat down to write it? and 2) Do I stand up from it a better man Or a wiser one, or both? or can the two be separated? 3) Is it really by me Or have I stolen it from somewhere else? (This sometimes happens, Though it is comparatively rare.) 4) Does it reveal something about me I never want anyone to know? 5) Is it sufficiently “modern”? (More about this a little later) 6) Is it in my own “voice”? Along with, of course, the more obvious questions, such as 7) Is there any unwanted awkwardness, cheap effects, asking illegitimately for attention, Show-offiness, cuteness, pseudo-profundity, old hat checks, Unassimilated dream fragments, or other “literary,” “kiss-me-I’m poetical” junk? Is my poem free of this? 8) Does it move smoothly and swiftly From excitement to dream and then come flooding reason With purity and soundness and joy? 9) Is this the kind of poem I would envy in another if he could write? 10) Would I be happy to go to Heaven with this pinned on to my Angelic jacket as entrance show? Oh, would I? And if you can answer to all these Yes Except for the 4th one, to which the answer should be No, Then you can release it, at least for the time being. I would look at it again, though, perhaps in two hours, then after one or two weeks, And then a month later, at which time you can probably be sure..”
Um comentário:
Kenneth Koch de... "The Art of Poetry"
“Just how good a poem should be
Before one releases it, either into one’s own work or then into the purview of others,
May be decided by applying the following rules: ask 1) Is it astonishing?
Am I pleased each time I read it? Does it say something I was unaware of
Before I sat down to write it? and 2) Do I stand up from it a better man
Or a wiser one, or both? or can the two be separated? 3) Is it really by me
Or have I stolen it from somewhere else? (This sometimes happens,
Though it is comparatively rare.) 4) Does it reveal something about me
I never want anyone to know? 5) Is it sufficiently “modern”?
(More about this a little later) 6) Is it in my own “voice”?
Along with, of course, the more obvious questions, such as
7) Is there any unwanted awkwardness, cheap effects, asking illegitimately for attention,
Show-offiness, cuteness, pseudo-profundity, old hat checks,
Unassimilated dream fragments, or other “literary,” “kiss-me-I’m poetical” junk?
Is my poem free of this? 8) Does it move smoothly and swiftly
From excitement to dream and then come flooding reason
With purity and soundness and joy? 9) Is this the kind of poem
I would envy in another if he could write? 10)
Would I be happy to go to Heaven with this pinned on to my
Angelic jacket as entrance show? Oh, would I? And if you can answer to all these Yes
Except for the 4th one, to which the answer should be No,
Then you can release it, at least for the time being.
I would look at it again, though, perhaps in two hours, then after one or two weeks,
And then a month later, at which time you can probably be sure..”
Postar um comentário